Sunday, March 22, 2015

I Was Hoping We Could Change the Past

One Photographer's Honest Portraits Attempt To Answer The Question: 'What Is Your Biggest Regret?'

By: Priscilla Frank

Source: Huffington Post
http://www.huffingtonpost.com/2015/03/19/alecsandra-raluca-dragoi_n_6895626.html?utm_hp_ref=arts

     Twenty-two year-old London based Romanian photographer Alecsandra Raluca Dragoi has embarked on a photography project answering the one question people so often try to ignore: "What is your greatest regret?". Her project, titled "What is Your Biggest Regret?", works to capture photos of individuals in public spaces, providing the "models" with a window for opening up their past and expressing their thoughts on the present and future. Alecsandra works hard to gain the trust of the individuals in order to form a comfortable environment in which she allows strangers to open up on topics they would otherwise never want to bring up. "She displays a profound understanding of time, forgiveness, ad the power of sharing what's so long been repressed" (Frank, 1). Her project, however, is not limited to the photographs only she takes. She allows individuals from all parts of the world to send images to her Facebook account depicting them in similar forms, sharing their personal regrets and opening up to the world.
     In a society where everyone feels the constant need to conceal, it is refreshing to see people in their purest and most open form, expressing themselves completely, in ways that would otherwise seem unconventional. Alecsandra's project being a rather direct form of expression is a nice change from the abstract, presenting human nature in its most vulnerable yet also strongest state, where one is no longer restricted to his or her own thoughts and self but rather feels a sense of unity with all of human nature.

Sunday, March 8, 2015

You Get Pink and You Get Blue.

     Even before a child is born, there are certain requirements already placed upon him or her, relating instinctively to his or her gender. Once a girl is born, she is paraded with pink, Barbie dolls, all other peace-promoting toys, growing older to take on a rather typical external appearance of long hair and tighter fit clothing for the most part, leading a job (if any) in a field where she is expected to work. To put it more clearly, a girl is rarely seen in construction sites on the streets, not because she is incapable of doing so, but because the idea seems so absurd that she does not even allow it to come to mind. As a boy is born, however, he is surrounded with darker shades of blue, monster trucks, a few building blocks here and there, and God forbid a doll ever cross his hands. As he grows older, he takes on the appearance of short hair (usually), loose-fitting appropriate clothing, and the job of some sort not atypical to the average male, i.e. possibly one expressing the immense influence the toys he played with at a young age (monster truck and building blocks and not Barbies) made on him: a job "not fit" for a woman.
     Yet one day a harmless bystander is standing on the corner of a street, seen observing a construction worker whose back is turned to the individual, shouting out orders to those the worker is seemingly managing. The bystander takes a moment to observe the back of the worker: short hair, a blue plaid shirt, baggy jeans with a few unintentional tears and paint marks. As the worker goes further out of sight and begins to hammer nails into the plank of a building, the curious individual ends his examination, noticing nothing out of the ordinary. It is a mere few minutes later when the construction worker reappears, this time in a form where his face is visible. The bystander glances up. The worker is a women.
     Evidently, it is possible for an individual in society, surrounded from day one with "gender roles" and expectations, to turn out opposite of what he or she is "supposed to be". Yet it is not often when the "construction worker", the "plumber", the "scientist", or even the "doctor" is a women. And it is not often when the "designer", the "hairdresser", the "painter", the "cleaner" is a man. It is true that what society expects unconsciously plays a roll on individuals, as they are born into what is proposed as "correct" from day one, mindlessly adapting and conforming. There are select individuals who, at an age where they gain a more substantial ability to think for themselves, manage to question such expectations and conformity, specifically related to gender roles in this case. A girl may never aspire to be a construction worker from a young age, only because she does not consider it as a task she is able to undertake or associate with. A boy will rarely be seen with a passion for designing clothing, because he is "not allowed" to partake in "girls' jobs". Yet when attaining awareness of such preconceived expectations and being able to fully consider the possibilities of life independent of gender, there are those few individuals who are "the women construction worker".
     That is the case on a specific scale. Gender roles have the ability to affect an individual until he or she gains awareness of such expectations. However on a larger scale, the concept of gender roles has, almost unconsciously, cemented a loose interpretation of who the women and who the man should be. This, although able to be broken but very rarely done, can be perceived as somewhat of a relation to the nature of man and the nature of woman, and is, therefore, a natural part of society. It may be inborn, that a woman, in a general aspect, conveys a certain "softness", of which the subtle opposite is seen in men. Yet the extent to which societal expectations have altered and exaggerated such natural concepts is where the issue lies, and where the confusion often starts to arise, once a boy feels a slight affinity towards the color pink.

"My Dream is to Grow Up as Fast as Possible"

Photographer Captures Portraits And Dreams Of People From 1 To 100 Years Of Age
By: Katherine Brooks
Source: Huffington Post
http://www.huffingtonpost.com/2015/02/27/100-years-project_n_6763534.html?utm_hp_ref=arts

     In the eyes of an artist, there may often seem nothing more perplexing and variable than people, who are often the inspiration for visions and works of art alike. And it is more often than not that the artist is working to depict an idea through their work, a story of people themselves. In the eyes of Danish photographer Keen Heick-Abildhauge, few cultures interest him more than that of the people of Russia,  a mass of diversity and life. Living there for some time, he managed to gain an insight into the lives of many of the people of the country, hearing stories, hopes, aspirations, daily accounts from those of any age. Yet the stories themselves "were complex, often so much that mere words didn't accurately capture their essences" (Brooks, 1). And with this failure to of verbal expression, Heick-Abildhauge turned to the world of photographs, depicting individuals ages one to one hundred (230 people in total), who shared with him their own stories, their own desires, experiences, what they hoped to be or no longer were. Through his photographs Heick-Abildhauge did not merely depict 230 disconnected individuals with 230 unrelated stories of their own, but rather a single story "of people living and growing in Russia today" (Brooks, 1), all sharing a queer similarity and life of a kindred nature.
       In the life span of individuals, they see much, feeling as though they know themselves most, and fully understand their beings in the present moment. Yet a majority of humanity, falling under this category, fails to notice the one single aspect most characteristic of an individual's lifespan and life itself: change. It is through Heick-Abildhauge's photographs where one is able to perceive this, how the individual human grows and progresses, not as a single being, but as a people. Throughout his work, one sees not the life-span of a single individual, but that of a hundred seemingly disparate ones, each consecutively older than the next. Yet it is through such diverse individuals, even, where one is most able to perceive the concept of growth and progression, feeling as though the one hundred depicted individuals are merely one in the same. As the dreams and aspirations of those newly born into the world, humble and light-hearted with no rather serious intentions in mind, progress with mid-age turning into inspiring motives, it is the addition of several more decades that brings these hopes back to their original state, and the people back to the children they used to be.

4 Years- Daniel; Place of birth : Yerevan, Profession: Goes to kindergarten, Passion or Dream: My dream is to grow up as fast as possible


 18 Years- Yulia; Place of birth: Obninsk, Profession: Student, Passion or Dream: I want to live until I am 100 years old. I also want to see new things and how they change during the time. I like to feel Russian


32 Years- Artem; Place of birth: Leningrad, Profession: Head of the cardiology department, Passion or Dream: I would like to become a member of the Russian Academy of Medical Science


70 Years- Vladimir; Place of birth: Malahovka, Profession: Driver, Passion or Dream: I want to have a long life


97 Years- Petr; Place of birth: Ural, Profession: Electrician, retired colonel, Passion or Dream: I dream of living for more than 100 years


98 Years- Roza; Place of birth: Gomel, Profession: Factory worker, Passion or Dream:I already have everything – everything that I would like to have


100 Years- Evdokiya; Place of birth: Smolensky area, Profession: Worker, Passion or Dream: I dream of walking by myself, being independent and alive